Showing posts with label Performance. Show all posts
Showing posts with label Performance. Show all posts

Tuesday, February 20, 2018

One Minute Video Screenings

Hi All, If you're in the UK neighbourhood this month, three of my short (i.e. 60 second) videos will be included in  various programmes for the One Minute Artists Moving Image Festival in Caernarfon, Wales. It happens  February 23-25 and it's all curated by the fabulous Kerry Baldry. My 3 titles, Terminator (2012), Hello Stranger (2014) and Anthropocene Antiphony (2017) will be in good company with well over a hundred eclectic and exciting works and best of all, they're all guaranteed to be only 1 minute long!

In Terminator, the ‘Activist’, in a symbolic act of resistance against the forces of ‘terminator’ seed technology, deposits a land mine of heirloom seeds, helping to turn an ordinary city lot into a potential urban sanctuary.



Hello Stranger features my performance alter ego Madillah, a transcultural symbol, an obscurely iconic other, whose image reaches out from an un-named time and place inviting the viewer to do the same: to become engaged an on-going, real time performance of examining difference and finding likeness.



Anthropocene Antiphony is a lament, an elegy, or maybe even a dirge. A 'call & response ' catalogue of fake news, alternative truths, disappearing ecosystems, forced migrations, spiking temperatures, rising tides and twitter storms, i.e. all the wonders and terrors of our unintended epoch.


Please visit the website for times and more detailed info http://oneminutenorthwales.com/home/4593903713 
and if you get a chance to catch any of the screenings, drop me a line and let me know what you think. xs      

Friday, October 21, 2016

Hello Stranger (again) - Recent Screenings featuring Madillah

Hi all,



Hello Stranger, a video featuring my feral creature familiar Madillah, is finally going to be making his on screen Vancouver debut in Moving Arts 2016, a short programme of silent moving images curated as part of  "As the Crow Flies", the 20th Anniversary exhibition of the Eastside Culture Crawl.

Hello Stranger has screened in places as far flung as India, Portugal, Bulgaria, the U.K. and Berlin and I'm excited that after loping globally for the last few years, Madillah will be able to do some local lurking! The exhibition opens tonight, October 21st from 6-9 pm @ the Arts Factory, 281 Industrial Avenue and continues at this location until November 6th. The Moving Arts programme will also be on view November 17-20 @ the Charles Clarke Gallery, 1345 Clark Drive. For more info on times etc. please follow the link http://culturecrawl.ca/events/movingart2016 .

If you're curious about the video, here's a short synopsis:



Hello Stranger features Madillah, a transcultural symbol, an obscurely iconic other, who haunts the interstices of the virtual and actual and the borderlands of urban spaces everywhere. Emanating from somewhere far behind the digital façade and set against the backdrop of an indefinable city, his image appears first on one side of a chain link fence and then on the other, facing away from us and then gesturing towards an unseen viewer. Is he seeking acceptance, bestowing recognition or asking for our help? 

Questions immediately arise about the nature of this character: what is his cultural background or species, where is his actual location? A hybrid refugee, folklore oddity, homeless human or an alien enemy? His guise and gestures are an unknown commodity, reflecting our uncertainties about the veracity or viability of cultural authenticity in the face of an increasingly manufactured ‘global’ citizenship. Is he something to be feared or pitied or, is he perhaps, someone who can be trusted to understand our deeper, stranger motivations?

In an age of dispersal and dissimulation, where geopolitical conflict, climate emergencies and the scrutiny of ever present security camera can script anyone as a potential threat to an increasingly fragile status quo, perhaps Madillah’s greeting is a signal to the outsider that may exist inside us all; a confirmation of our presence, an affirmation of our ‘likeness’.

His image reaching across the confines of the mediated landscape, asks us to do the same: to find a way to identify with the people who exist beyond the borders of our physical space or psychic comfort zones, to reach out and become engaged in the on-going and real time experience of acknowledging difference and finding connection in the world we share with others.

Hello Stranger.

Actually, it'll probably take longer to read the above than to catch the video, which clocks in at only 1 minute. The piece was originally designed to be displayed looped on monitors in the Sophia underground subway system. But oddly enough, it seems to work nicely in a variety of settings. If you're able to have a look, please let me know what you think!

And if you're curious to know more about the origins and/or various manifestations of Madillah, feel free to search for his back story in the pages of this blog, just look for the Madillah tag or label.


Hope the Autumn is being kind to you all x Scot


Tuesday, April 29, 2014

Malefactor @ Fuse @ The Vancouver Art Gallery, April 25/14


Thanks to all of you who made it out to Fuse at the Vancouver Art Gallery, it was great to see you. It was a wonderful evening, with some riveting performances and fabulous work reflecting the theme of Terrible Beauty, curated and staged by the equally riveting and fabulous Veda Hille and Vanessa Kwan. Thanks also to volunteers Joanne and Carly who did an exemplary job, helping me to drag around and place the 32 life-sized characters.








 



I always hope to encourage people to bring their own thoughts and concerns to the work I initiate . Malefactor had people guessing which letters came next, imagining words and meanings and occasionally trying to sneak a look at the last two letters (which were covered until the final reveal). Many voices, ideas and a lot of pondering the ultimate meaning of the piece's cryptic phrase, exactly the kind of interaction I was hoping for. Thanks again to all of you for your thoughtful conversation and feedback!


Tuesday, October 15, 2013

DIY video works @ The Liu Institute for Global Issues




Hi all, 

the opening reception for DIY happens this Wednesday, October 16th, from 4-6 pm @ the Liu Institute fro Gl0bal Issues which is located @ 6476 NW Marine Drive @ The University of British Columbia. 

The show will be up until December 13th, 2013. If you get a chance to make it out for a look, I'd love to hear what you think! Hope to see you @ the opening or sometime soon x Scot

Here's a little more info about the show -

DIY- a statement

Part manifesto and part how-to manual, DIY is a series of linked video works that combine old fashioned recipes, the latest cultural theories, guerilla gardening tactics, situationist performance antics, wiki-wisdom and homespun logic to promote global biodiversity and local food sovereignty.

The videos follow a black clad, ski-mask wearing figure called ‘The Activist’, as she sows seeds, picks vegetables, digs holes, performs a series of backyard interventions, and most importantly, preserves food for the coming winter. Titles including Digger, Chopper, Selfish Gene Theory, playfully explore the mystique of food production, the perceived militancy of  guerilla gardening and the inevitable bonds between culture and nature.

In Terminator, the ‘Activist’, in a symbolic act of resistance against the forces of ‘terminator’ seed technology, deposits a land mine of heirloom seeds, helping to turn an ordinary city lot into a potential urban sanctuary. Over –Extension Theory finds her sawing and sorting firewood and considering needs and wants in the real world and the symbolic world. In Time is Ripe  and The Process, she cans peaches and tomatoes and wonders about the relationships between global logistics, food processing and genetic well being. In The Race to the Bottom, ‘Green-washing’, Game theory, and Memetic theory are played out in the middle of a GMO cornfield and In The Great Divide, The Activist ponders social inequality, the politics of poverty and the responsibilities of the individual.

Locally, the last few years has witnessed a proliferation of urban farm markets, community gardens, and an inspiring increase in the number of individual consumers who are rejecting their role in the corporate food chain. Downturns in the global economy and climate change fears have prompted many consumers to become more aware of where their food comes from and what it actually takes to keep the supply lines open. Of course, for many people on the planet, the contingencies and consequences of a tenuous food chain are nothing new.  

But ‘Big Food’ isn’t letting go of its market share willingly; the household cupboard of the West is still contested ground and the kitchen table of ‘Developing Nations’ is a potential battlefield. Chemical companies continue to pump out toxic cleaning agents alongside their new “green” line of products, “factory farms” may be going organic, but they still practice destructive monoculture on a mass scale, and Agri-business giants continue to develop strains of GMO and non- reproducing seeds (all the while, trying to make it illegal for individuals to propagate and maintain heritage seed banks).

Throughout history, populations have been managed or manipulated via the control of the food supply.  In a post 9-11 environment where ‘do it yourself’ activism is often equated with threatening behaviour,  it’s not too hard to imagine that individuals attempting to thwart state authorized food production practices might be labeled as eco-terrorists. In fact, Agri-Business giant Monsanto has been implicated in the burning of crops and the attempt to dictate farming practices in  a number of countries where it considers itself to have propriety rights over the methods of food production.

DIY imagines a multi-national, corporate driven, ‘green’ war which classifies guerilla gardening as an act of terrorism, drives home canning underground, calling it a threat to the stability of the fair market economy, spins backyard composting into a public bio-hazard, or claims that seed saving is bio- terrorism. While open warfare against Food Sovereignty hasn’t been declared yet, a good gardener always plans ahead. As the ‘Preppers’ (modern day hipster survivalists) like to say, “Resistance is Fertile!”

DIY is both a meditation on cultural and corporeal survival and a crash course in sustainable living, giving you everything you need to start disentangling yourself from the corporate food chain and learning how to grow, sow and share in the place where you live.






Tuesday, September 10, 2013

New Work in Vancouver this September.

Hello all,

busy getting ready for three presentations of my work in Vancouver this September: a performance for LIVE 2013 International Performance Art Biennale, a collection of video works at the Liu Institute for Global Issues at U.BC. and a reading @ Word Festival. Looking forward to showing in the city and getting some feedback from you! Here's a little info about what to expect.

First up, the performance, a collaboration with Leannej called Human Identification at a Distance.


Human Identification at a Distance is an exercise in sousveillance or inverse surveillance, an attempt to subvert the self monitoring that conditions our public expectations and cloaks our private emotions. The goal of the performance is obliquely confrontational, covertly confessional;  two figures, co-opt the gestural guises and costumed coding of ‘Authority’ and ‘Activist’, setting out from opposing points, marching through the crowd, broadcasting individual monologues, probing, measuring, interrogating, exploring the  constructions and consequences of separation and connection. Their movements ultimately define a shared space and the figures converge, their individual voices blurred in an antiphonic chorus of recognition and misidentification.

While the namesake program developed by the U.S. Information Awareness Office (IAO), 'Human Identification at a Distance' employs biometric systems in order to: “… identify humans as unique individuals (not necessarily by name)…at any time of the day or night … possibly alone, disguised or in groups…”, with this performance, and the ensuing dialogue, Leannej & I hope to support the unguarded expression of personal traits and private thoughts and promote unprejudiced public encounters that occur beyond, or in spite of, the bounds of CCTV culture. 

Many thanks to Randy Gledhill of LIVE 2013 for inviting us to participate. The Performance happens September 21st @ Victory Square, 150 W Hastings (South West Corner) @ 2:30 PM sharp. For more info: livebiennale.ca

Next up is DIY, a collection of video works @ the Liu Institute. 


Part manifesto and part how-to manual, DIY is a series of linked video works that combine old fashioned recipes, the latest cultural theories, guerilla gardening tactics, situationist performance antics, wiki-wisdom and homespun logic to promote global biodiversity and local food sovereignty. Both a meditation on cultural and corporeal survival and a crash course in sustainable living, DIY gives you everything you need to start disentangling yourself from the corporate food chain and learning how to grow, sow and share in the place where you live.

One or two of these videos have been in online festivals, but most of these pieces have never been screened in the real world. Individual pieces are linked together into a programme of about 50 minutes and with titles like Selfish Gene Theory, Chopper, and The Race To The Bottom, I'm hoping there will be something that speaks to you! 

The Liu Institute for Global Issues is located @ 6476 NW Marine Drive @ The University of British Columbia. The opening reception happens Wednesday, October 16th, 4-7 PM. The show will be up until December 21st and regular hours are Monday - Friday, 8 - 5PM. For more info: liu.institute@ubc.ca

And finally, I've been invited to read from V6A: Writing from Vancouver's Downtown Eastside for the Word Festival ( formerly Word on the Street), which will be happening outside the main VPL branch @ Georgia and Robson.  I'll be reading a piece called Skid Row: Establishing Footage, which is composed entirely of language culled from Film Production notices posted in the DTES. Its from a series I call Shoot Me!, which explores the often uncomfortable narrative overlaps between what's being scripted and what's being played out for real in the neighbourhood. Look for me on Sunday, September 29th in the C.U.P.E. Poetry Tent, sometime around 11 AM.

If you're able to make it out to any of these events, I'd love to hear what you think.  At any rate, hope to see you soon.

Wednesday, November 7, 2012

The Process - video premiere




Hey All, The Process, another video from the Acts of Domestic Terror series is being screened this Friday, November 9th @ VIVO Media arts centre, 1965 Main Street, Vancouver. I'm very happy to be included in the program of In Media Res, curated by The Automatic Message, especially as this will be the very first public screening of the video.  It all starts @ 8:30 PM and goes til 1 AM, not sure what time my piece will be on, but if you can make it down it'd be great to see you and I'd love to hear what you think.



Monday, September 17, 2012

Terminator- new video screenings




' Food is Power, we use it to change behaviour '. That's the opening line from Terminator, a short new video piece that's going to be making it's debut this September, at screenings in the UK, as part of One Minute Volume 6, curated by Kerry Baldry.

On the 27th it'll be at the Horse Hospital in London  in the autumn programme of the London Underground Film Sessions http://www.thehorsehospital.com/now/london-underground-film-sessions-autumn/and on the 30th, it will be screened (via pedal powered cinema) in Alexandra Park in Manchester, as part of an event called One Day Wonder(ment). On October 25th, Aid & Abet in Cambridge will screen it as part of an event called Dark Hours/ Fixed Space and then on November 24th, it will be appearing @ The Museum of Club Culture in Hull.

The video is part of a longer series called Acts of Domestic Terror, which explores issues surrounding food sovereignty, radical gardening and DIY politics. In Terminator, a mysterious figure called 'The Activist' performs a number of Situationist inspired back yard interventions designed to provoke resistance against 'Terminator Seed Technology' and promote the global battle to maintain biodiversity.

I'm very excited that the piece is going to be premiering in the UK with it's long history of horticountercultural politics and I'm busy working on completing the rest of the series, which I hope to show more of soon! If you're in the neighbourhood for either screening and have a chance to have a look, I'd love to hear what you think.





Tuesday, September 20, 2011

New Video Work





... a lone, masked figure takes a stand in a disrupted landscape... defining her place, creating the space to inhabit her own body, looking for ways to construct new meaning. Fighting for the right to stand alone, the hope to be included, the freedom to say no, the freedom to say yes, over here, out there, anywhere, everywhere; Independence...


From the synopsis for my latest video, Independence, now playing at festivals this month in Beirut, Riga and Budapest and also viewable online as part of CologneOFF Vll- http://coff.newmediafest.org/ If you have a few moments please have a look and let me know what you think, wherever you are.


Friday, August 13, 2010

The Butterfly Effect ( 1&2)






The Butterfly Effect (1&2)
Based on the generally positive results of a poll we conducted in your neighbourhood, we film the aftermath of a police incident with many police cars and extras in the street.
  • We are planning to film on this day between 9:00 AM and 3:30 AM .
  • In the show 235 Alexander is a nightclub, and in the first episode there is a grand re-opening party scene, which is why we require a longer extension.
  • Our day begins at 12:30 am on the 00 block of Alexander.
  • Two actors discuss the discovery of a dead man in the lane.
  • A scene with several police cars with emergency lights on pulling up to the property from all directions (lights will be flashing, but there won’t be any sirens).
  • Some of these scenes have choreographed stunts of actors having an altercation.
  • The location will be dressed as a night club with partygoers gathered in front. We will have a number of people milling about the entrance to 1 Alexander and out into the street as well.
  • We will be preparing some of the surrounding buildings in the weeks leading up to filming.
  • Exterior scenes of an actor walking down 90 Alexander and another stunt scene with 3 actors fighting. Vancouver Police will be on hand to perform a temporary road closure when necessary during the filming of this scene.
  • There will also be a camera in the intersection to film the club-goers.
  • We will be parking “fake police cars” on the street. The sidewalk will be blocked for approx. one hour.
  • Actors will be wearing holstered weapons in all scenes.
  • The activity will include a number of “extras” waiting to get into the club, as well as, several cars driving up to drop off club-goers.
  • We realize that your neighbourhood entertains it’s fair share of filming.

  • BG X 66
  • Waiters x 8
  • Patrons x 50
  • Drivebys w/vehicles x 4
  • Passerbys x 20
  • Our filming will be very low impact.
  • Lights on stands, and also perhaps on scaffolding eight to twelve feet high, will be focused on the exterior, although other lights may shine along 200 block Alexander and up to the sky to create mood for night-time filming.
  • We will make the area brighter than usual.
  • Pedestrian foot traffic will be closed and re-directed between Gaolers Mews and Blood Alley.
  • Please identify yourself to an officer for access.
  • There will be minor special effects of fog and a wet down of the streets for these scenes.
  • We are sensitive to concerns about filming in the neighbourhood.
  • The usual curfew is 11 PM.
  • The noise from simulated gunfire is comparable to the sound of firecrackers.
  • An SUV drives westbound on Alexander from Main and crashes into a fake wall that will extend into the north sidewalk from the south sidewalk.
  • Police will be on hand to assist us.
  • Actors will run around the corner and others will get into a car on Hastings and speed away.
  • The City of Vancouver has granted us an extension.
  • A crowd of people and emergency vehicles gathering in front of 41 Alexander Street.
  • Our final shot of the night will be from a scissor lift on the north sidewalk.
  • An actor lies on the ground as another approaches him.
  • 3:30 AM. Our crew will then pack up and move to film at another location.




Thursday, February 18, 2010

Legacy 2010





Madillah loped through the Olympian streets of Vancouver last night, making it as far as Robson Square before he was taken down by a swat team of 5 callow thugs from the VPD. The interrogation began with accusations of being a threat to the stability of the 'Family' and ended in a one-sided discussion about performance art. Ultimately, Madillah's gentle nature and noble intentions prevailed and he was allowed to scamper off into the night, bloodied but unbowed and determined to lope another day. Be on the lookout!

Wednesday, September 10, 2008

Lurk: a preview

In July 2007, 250 years after the birth of Captain George Vancouver in King’s Lynn, England, four contemporary artists from his namesake city in Canada were featured in an exhibition called Vancouver insight, hosted by the King’s Lynn Art’s Centre.
One week before the opening of the exhibition a strange creature appeared on the quay.

The beast was rumoured to be a legendary feral human, unearthed during excavations in the Downtown Eastside of Vancouver, once the poorest postal code in Canada and now the sight of a controversial re-development scheme.Transported through time and space, to the shores that the explorer had set sail from, the creature was presumed to be searching for answers to Vancouver’s past or perhaps, clues to it’s future.

For a little over a week the creature was witnessed haunting the quay, loping down side streets and lurching through crowds in King’s Lynn’s busy pedestrian malls. Just as suddenly as it appeared, it was gone.

A mythical beast trying to make sense of history, place, time and being. His name was Madillah.

Lurk is a quicktime preview of the full length video that documents Madillah as he moves throughout the town and into a few unexpected places. Be on the lookout for more.

Lurk


Friday, April 18, 2008

Maps & Legends

You have asked me for the story or rather the legend of Madillah, I am going to tell you in my own way based from what I have been told or heard. It is as authentic as I can make it, thusly I have spoken…

In sunshine or shade I am …there are many things I cannot say due to the fact that you lose the beauty of the language…

I could close my eyes, live over these days when life was just one round of endless wandering…

This is a story that is modern in its scope as compared to the rest…

I want to tell what my so-called god did to him when I left him at the grave that night. He dug him out and then started to flay me. I died first. He died the second time. It was very hard for me, but what could I do? He was his god and I belonged to him. He skinned him and saved the skin. It is now drying, and as soon as it dries, then he will breathe into it and it will become my form...

Though some others have different version than I have, it is all about the same in substance…

I am writing again to continue our legend of the origin of Madillah, starting from the last letter it goes like this…

I hope I have made this clear for your information…

…in all this is the substance of the legend of the origin of Madillah. If it is not written or recorded, it is bound to be lost or forgotten, soon or later…

I am sorry not to tell the whole legend , but it will give you an idea anyway…

Thus was the beginning of this person who had departed this world to come back and live like one of the animals…

I do this for you...

Now here is where my knowledge is vague, this is about all I can tell I am not allowed to tell more…

Another thing, Madillah is one matter seldom ever under discussion by any person, such is the belief of his potency and restriction…

This happened to me, but I have kept it a secret, as I was afraid people would misunderstand me and call me a liar…

I trust this legend will enlighten you again to his mysterious habits and ceremonies...

Well, this is about all I can relate about this little discussed subject and I feel guilty in doing even so, but I tell you these things because you want to know him more and are sincere about all you do…

Thus was the beginning of Madillah and the end of my story…

I have spoken…

The above fragments are all that remains from a packet of letters found amongst the personal effects of “Gimpy” John Dawson, a colleague of the famous “Gassy Jack”. The letters are believed to represent a series of correspondences between Dawson and an unknown story teller of the Musqueum tribe. It is unclear who the actual author is, but it would appear to be the latter, although this has never been verified. Dawson was for a number of years Gassy Jack’s right hand man and appears to have been a close confidant. It has always been assumed that the letters related a series of Indian tales and legends and that perhaps Dawson and Jack were looking to publish a book on Indian lore. These re-tellings of Native stories were popular with visiting Europeans eager to be thrilled by an exotic and primitive culture that they assumed to be disappearing before their very eyes. It is very likely that Dawson may have indeed been engaged in preparing such a book, although no record can be found of its completion.